http://stephanstoyanov.com Stephan Stoyanov Gallery Wed, 29 May 2013 16:08:18 +0000 http://stephanstoyanov.com en http://www.stephanstoyanov.com/Maria-Magdalena-Campos-Pons http://www.stephanstoyanov.com/following/stephanstoyanov.com/Maria-Magdalena-Campos-Pons Wed, 29 May 2013 16:08:18 +0000 Stephan Stoyanov Gallery 5714107 <img src="http://payload170.cargocollective.com/1/8/276771/5714107/7_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/7_o.png" data-mid="31104122" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/6_905.gif" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/6_o.gif" data-mid="31104126" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/12_905.gif" width="800" height="500" width_o="800" height_o="500" 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src="http://payload170.cargocollective.com/1/8/276771/5714107/MMCP-Cia-Cara_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/MMCP-Cia-Cara_o.png" data-mid="30866484" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/Magda_Piece_06comp_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/Magda_Piece_06comp_o.png" data-mid="30866493" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/Magda002comp-copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/Magda002comp-copy_o.png" data-mid="30866498" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/Magda001comp-1_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/Magda001comp-1_o.png" data-mid="30866504" border="0" align="left"/><img src="http://payload170.cargocollective.com/1/8/276771/5714107/Dreaming-of-an-Island_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload170.cargocollective.com/1/8/276771/5714107/Dreaming-of-an-Island_o.png" data-mid="30866510" border="0" align="left"/> MARIA MAGDALENA CAMPOS-PONS Project 53+1=54+1=55/ Letter of the Year Maria Magdalena Campos-Pons Neil Leonard 55th Venice Biennial Cuban Pavilion Entry Museum of Archeology, Piazza San Marco, Venice The Cuba Republic Pavilion, La Perversion de lo Clasico: Anarquia de los Relatos. June 1 - Nov 24, 2013 Opening: May 31, 2013, 5:00 pm 53+1=54+1=55.Letter of the Year is a multimedia installation about home, migration, the necessity of finding and redefining the meaning of permanency and locality. Birdcages were used by emperors and common men to capture beauty and to dream of freedom. From Yoruba deities, to Leonardo da Vinci, to space travel today, men and women have always dreamed of flight as embodying a lightness of being. The interviews in the birdcages document the reconstruction of a dialogue between Cuban residents and their family members who live abroad, and the transformative power of this exchange. The sonic environment is complemented by recordings of street criers, known as pregoneros, a reflection of the increased liberalization of small businesses that exists within a void of corporate control. The voices in the cages elude physical, political and cultural borders in contemporary society. The small videos featured inside the cages were conceived as a performative response to the historical weight of the exhibition site. The installation is a construct of architecture and sound, old and new, evoking a country that is evolving. And, like birds, people keep singing their songs of hope and freedom. --- 53+1=54+1=55 / Letter of The Year is our response to the central theme of the 55th Venice Biennial: The Encyclopedic Palace. We have chosen the idea about sequence of numbers with great meaning for our personal and collective history, and awareness of the polarities and richness opened through our shared and contrasted identities as female/male, black/white, and Cuban/American. This is a historical opportunity to represent Cuban culture at the 55th Venice Biennial. Neil and I have been producing installations over the last 20 years that championed cultural understanding, tolerance for differences and cosmopolitan dialogue as a bridge for better interactions among people. It is a gesture of historical importance for us to be exhibiting together with Cuban artists from the island and the diaspora as ambassadors of Cuban art in this prestigious forum. This invitation is a result of triumph of ideas we have cared for deeply in our collaborations and individual artistic efforts. We believe in the role of the artists and arts as the agents of change, societal transformation and poetical/political leadership for better future. Neil and I are protagonists of the generation that opened up a real dialogue between Cuba and the United States, which is a clear statement of the new era of shared dreams and restoration of good will between nations by the power of love and art. Our collaboration celebrates in essence the pinnacle of humanity; people to people reaching for support, tolerance and understanding. 53+1=54+1=55 / Letter of the Year is a multimedia installation about home, migration, the necessity of finding and redefining the meaning of permanency and locality, a reflection on the accumulation of knowledge both academic and vernacular, the raw beauty of street knowledge, the entrapments of search for information, that which is forbidden and that which is imposed. Migration and restless quest for freedom, intellectual, individual and communal, are intermingled matters that sustain each other. Those fundamental issues have built and brought down great individuals, nations and empires. 53+1=54+1=55 / Letter of The Year juxtaposes cultural symbols idiosyncratic to Cuban culture to those centered within Western canon, talking back to power and the structure of Eurocentric male dominance. The piece proposes an hommage to the countless lives lost, the daily rituals of survival and empowerment in the pursuit of freedom and in the search for selfhood. The ritualistic gesture of counting and keeping track of time which passes and the one to come, every day data minutiae of the precious experience of being alive and the invisibility of hidden dreams. The installation constructs a parallel to the grid of architecture and sound, old and new, always in motion, so typical of Cuban cities but also the cities around the world. The piece builds up from the installation Llegoo FeFa premiered at the 11th Biennial of Havana (see review Art Forum Nov 2012) and reclaims small fragment of time and life in a grid, where time collapses and narratives juxtapose. 53+1=54+1=55 / Letter of The Year is centered in a massive structure of birdcages. Birdcages were used by emperors and common men to capture beauty and to dream of freedom. From Yoruba deities, to Leonardo d Vinci, to space travel today, men and women always dream of flight to embody a lightness that only a bird could have. Birdcage is the architecture of restricted freedom. We are intrigued and interested in the immateriality and transparency of it, as a contrast to the permanency of its architectonic core. In the work we use birdcages as metaphorical vessels to capture imaginary and real dreams. 53+1=54+1=55 / Letter of The Year builds up an accumulation of fact data and video, while also exploring the sound of life buoyancy as a key element for communication by both birds and people. Sound eludes physical entrapment, and sonic culture has eluded physical, political and cultural borders in contemporary society; street vendors, fortune tellers, time keepers of various sources are vivid testimony of how everyday men/women resist the dominance and power wherever they are. 53+1=54+1=55 / Letter of The Year constructs a tapestry of sounds of urban Cuba, as the country evolves and the basic diversity of discourse changes in a dramatic and even theatrical way on the island, as well as in perceptions of the island from abroad. Like birds, migratory beings par excellence, humans follow the desire to access new knowledge. Like birds, they construct temporary homes. Like birds, at times they found their wings shortened by the constraint of transparent cages. Like birds, they keep singing their songs of hope and freedom. The phrase "free as a bird" conjures the image of a bird singing. So does 53+1=54+1=55 / Letter of The Year. Maria Magdalena Campos-Pons Neil Leonard --- Born Matanzas, Cuba EDUCATION Massachusetts College of Art, Painting, Media Arts, Boston, MA 1985 Higher Institute of Art (ISA), Painting, Havana, Cuba 1980 National School of Art, Havana, Cuba Currently teaches at the School of the Museum of Fine Arts in Boston UPCOMING Boulder Colorado Museum Nov 8 Saint Ettiene Museum of Modern Art Dec France Tufts University Sept Boston MA SOLO EXHOBITIONS 2013 Something about family, Neil Rudenstein Gallery Dubois Institute Harvard Cambridge MA US 2012 Mama Reciprocal Energy Vanderbilt University Museum Llegooo!!! Fefa 11 Havana Biennial Havana Cuba 1478 MB, Galería Latinoamericana de la Casa de las Américas, Havana, Jan 2012 2011 What My Mother Told Me: The Art of Maria Magdalena Campos Pons, Harvey B. Gantt Center, Charlotte, NC. Journeys, Frist Center for the Visual Arts, Nashvillie, TN 2010-11 Sugar: Maria Magdalena Campos-Pons, Smith College Museum of Art, Northampton, MA 2010 Belonging and Longing - Maria Magdalena Campos-Pons: Works on Paper, Hess Gallery at Pine Manor College, Chestnut Hill, MA 2009 Maria Magdalena Campos-Pons: Hope, Yes We Can, Bernice Steinbaum Gallery, Miami, FL Maria Magdalena Campos-Pons: Works on Paper, Hess Gallery at Pine Manor College, Chestnut Hill, MA Maria Magdalena Campos-Pons: Life Has Not Even Begun, Glass Curtain Gallery at Columbia University, Chicago, IL 2008 Dreaming of an Island Spellman College Museum Atlanta GA 2007 Maria Magdalena Campos-Pons: Everything is Separated by Water, Indianapolis Museum of Art, IN Maria Magdalena Campos-Pons: Everything is Separated by Water, Bass Museum of Art, Miami Beach, FL 2006 SONO QUI”, MARIA MAGDALENA CAMPOS-PONS, GALLERIA PACK, MILAN, CURATED BY SERGIO RISALITI, JUN 2006, Milan, Italy 2005 Backyard Dreams, Julie Saul Gallery New York, NY New Work, Bernice Steinbaum Gallery, Miami, FLPan African Exhibition of Contemporary Art, Museum of Modern Art, Salvador Bahia Brazil 
 2004 3X3 Dak'Art Bienale: Threads of Memory, Dakar, Senegal Talking Pictures New Work, Bernice Steinbaum Gallery, Miami, FL
 Elevata, Howard Yezerski Gallery, Boston, MA
 Something New, Something Old, Schneider Gallery Chicago IL 2003 Interiority or Hill Sided Moon, La Marrana, Montemarcello, Italy
 One Thousand Ways to Say Goodbye, Henie Onstad, Kunstsenter, Oslo, Norway 
 2002 M.M. Campos-Pons, Gallery Pack, Milan, Italy
 2001 Nesting, Schneider Gallery, Chicago, IL
 2000 Nesting, Howard Yezerski Gallery, Boston, MA
 1999-2000 Meanwhile the Girls Were Playing, MIT List Visual Arts Center, Cambridge, MA 
 1998 Unfolding Desires, Hallwalls, Buffalo, NY 
 Spoken Softly with Mama, National Gallery of Canada, Ottowa, Canada
 History of People. . . Part I, "A Tonw Portrait," Lehman College, NJ 
 M.M. Campos-Pons, Sustenance, Martha Schneider Gallery, Chicago, IL 
 1997 Abridor de Caminos, Martha Schneider Gallery, Chicago, IL 
 M.M. Campos-Pons, New Work, Ambrosino Gallery, Coral Gables, FL 
 When I am not Here. Estoy Alla, The Photographers Gallery, Saskatoon, Canada
 When I am not Here. Estoy Alla, The Caribbean Cultural Center, New York, NY 
1996 M.M. Campos-Pons, New Work, Martha Schneider Gallery, Chicago, IL
 1994 History of People Who Were Not Heroes, Bunting Institute of Radcliffe College, Harvard University, Cambridge, MA Recent Work, Miami Dade Community College Gallery, Miami, FL 
 1993 Let me Tell You, INTAR, Latin American Gallery, New York, NY 
 Racially Inscribed Body, Akin Gallery, Boston, MA
 1992 Como el Cuerpo de un Hombre es un Arbol … / … How the Body of a Person is a Tree…, Gallery La Centrale/Powerhouse, Montreal, Canada 
 1991 Amuletos/Amulets, Burnaby Art Gallery, B.C., Canada 
 Sangre Negra/Black Blood, Gallery Burning, Montreal, Canada 
 A Woman at the border/Una Mujer en la Frontera, SOHO 20 Gallery, New York, NY 
 1990 A Woman at the Border/Una Mujer en la Frontera, Presentation Room JPL Building, Banff Centre for the Arts, Canada
 Embassy Cultural House, London, Ontario, Canada 
 1989 Isla/Island, Castillo de la Fuerza/Castle of Royal Force, Havana, Cuba 
 1988 Erotic Garden or Some Annotations on Hypocrisy/Jardin Erotico, Kennedy Building Gallery, Massachusetts College of Art, Boston, MA 

 GROUP EXHIBITIONS 2013 Contemporay Collection MFA Boston 
 2012 Storytellers Sternersen Museum Oslo Norway Contemporary Collection Sackler Museum Harvard University Cambridge MA Marco Puntin e Honathan Turner, Feb 2012 Queloides Dubois Institute Harvard University Cambridge Boston The Space 8th Floor New York Nrew York US 2011 Group Show Bernice Steinmbaum Gallery Miami US Queloides Mattress Factory Pittsburg PA US Ajiaco: Stirrings of the Cuban Soul, Newark Museum, Newark, NJ 2010 Afro Modern: Journeys through the Black Atlantic, TATE Liverpool, Liverpool, England 2009 Off the Beaten Path: Violence, Women and Art, Stenersen Museum, Oslo, Norway NeoHooDoo: Art for a Forgotten Faith, P.S.1 MoMA, Long Island City, NY CONTINENTS, Spazio Paraggi, Apres-Paris, Treviso, CURATED BY Valerio Dehò, Oct 2009 2008 THE THIRD GUANGZHOU TRIENNIAL, The Guangdong Museum of Art, Guangzhou, China, curated by Gao Shiming, Sarat Maharaj, Johnson Chang Tsong-Zung, Sept 2008 2007 PORT CITY: ON MOBILITY AND EXCHANGE, ARNOLFINI, BRISTOL, SEPT 2007 2006 - 2° BIENAL INTERNACIONAL DE ARTE CONTEMPORANEO DE SEVILLA, Centro Andaluz de Arte Contemporaneo y Reales Atarazanas, Sevilla, curated by Okwui Enwezor, Oct 2006 WAITING LIST-TIME AND TRANSITION IN CONTEMPORARY CUBAN ART, Mestna Galerija, Ljubljana, curated by Elvis Fuentes, Dec 2006
 Dipersed MoAD SanFrancisco CA
 Retratos: 2,000 Years of Latin American Portraits, Smithsonian Museum, Washington, DC MADONNA, Blekinge Museum, Karlskrona, curated by Torun Ekstrand, Oct 2006 OLTRE LILITH, Scuderie Aldobrandini, Frascati, CURATED BY Rosetta Gozzini, OCT 2006 2005 Getting Emotional, The Institute of Contemporary Art, Boston, MA 
 Pan African Exhibition of Contemporary Art, Museum of Modern Art, Salvador Bahia Brazil 
 RAMPA - Signaling New Latin American Art Initiatives, Arizona State University Art Museum, Tempe, AZ
 Some Color: A Color Photography Exhibition, Howard Yezerski Gallery, Boston, MA 
 Dreaming Now, The Rose Museum, Brandeis, Waltham, MA 
Retratos: 2,000 Years of Latin American Portraits, El Museo del Barrio, NY, NY 
Dispersed, Museum of the African Diaspora, San Francisco, CA 
ARCO International Art Fair, Galleria Pack, Madrid, Spain Palm Beach Art Fair, Bernice Steinbaum Gallery, Palm Beach, Fl 2004 Dak'Art, the Biennial of Contemporary African Art, 6th edition, Dakar, Senegal
 Visualizing Diaspora/ Constructing Self, GASP Gallery Artists Studio Projects, Brookline, MA
Art Basel, Bernice Steinbaum Gallery, Miami Beach, FL 2003 De lo que soy/Of what I am, Lehman College Art Gallery, Bronx, NY 
Rembrance Fields, Echigo-Tsumari Art Triennial, Japan 
 Howard Yezerski Gallery, Boston MA 
 Inside/Outside, Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, NC 
 Only Skin Deep, ICP, New York, NY Chicago Art Fair, Galleria Pack, Chicago, IL 2002 Art Through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo, Norway 
 Portrait as Performance, Hand Workshop Art Center, Richmond, VA 2001 Authentic/Ex-centric: Africa in and Out Africa, 49th Venice Biennale, Venice, Italy 
Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam, Netherlands 
 Museum Eki, Kyoto; Tkamatsu City Museum of Art Japan Museum of Contemporary Art, Sapporo, Japan 2000 Tokyo Metropolitan Museum of Photography, Tokyo, Japan 
Visibility, Museum of Contemporary Art, Baltimore, MD 
 Ackland Art Museum, The University of North Carolina at Chapel Hill, NC
 Davis Museum and Cultural Center, Wellesley College, Wellesley, MA 
The Likeness of Being, Contemporary Self Portraiture by 60 Women Artists, DC Moore Gallery, NY 
The Rutgers Center for Innovative Print & Paper Annual Exhibition, NB, NJ Religion, Contemporary Interpretations by Women, The Art Gallery University of New Hampshire, NH 1999 Liverpool Biennial of Contemporary Art, Liverpool, UK 
 Uncommon Perspectives, South Shore Art Center, Cohasset, MA
Spirit Manifest, Religious Imagery in Current Boston Art, Gallery NAGA, Boston, MA 2002 Desde el Cuerpo, Alegoria de lo Femenino, Museo de Bellas Artes, Caracas, Venezuela 
Ritual Acts Videos by Women, Decordova Museum, MA
Croosing/Traversee, National Gallery of Canada, Ottowa, Canada 1997 Trade Routes, Johannesburg Biennale, Johannesburg, South Africa
 Invasion, Saaremaa Biennale, Kuressaare, Estonia 
 Caribbean Vision: Contemporary Painting & Sculpture, Smithsonian, Washington DC The Constructed Photograph, Addison Gallery of American Art, Philips Academy, Ma 
The Portrait as Object / The Figure as Ground, Howard Yezerski Gallery, Boston, MA 
Caribbean Visions: Contemporary Painting and Sculpture, Wadsworth Atheneum, CT 1996 Skin, M.M. Campos-Pons & Sandy Slone, Crieger/Dane Gallery, Boston, MA 
Grifu, Campos-Pons, Carlos Cardenas, Tomas Esson, C.M.A.C., Cambridge, MA 
Latin American Artists, DNA Gallery, Provincetown, MA 
 Caribbean Visions: Contemporary Painting and Sculpture, Center for the Fine Arts, FL 
Witness, Leonard & Bina Ellen Art Gallery, Montreal Quebec Edmontan Art Gallery, Alberta Dunlop Art Gallery, Regina, Saskatchewan, Canada Southeast Museum of Photography, Daytona Beach, FL 
 Latin American Women Artists, 1915 - 1995, Denver Art Museum National Museum of Women in the Arts, Washington DC Center for the Fine Arts, Miami, FL My Magic Pours Secret Libations, Museum of Fine Arts, Florida State University, Tallahassee, Fl 1995 Latin American Women Artists, 1915 - 1995, Milwaukee Art Museum Phoenix Art Museum, NM 
Cuba, La Isla Posible, Centre de Cultura Contemporania, Barcelona, Spain 
Human/Nature, The New Museum of Contemporary Art, New York, NY 1994 Rejoining the Spiritual: The Land in Latin American Art, The Maryland Institute College of Art, Baltimore, MD Fotofest, International Festival of Photography, George R. Brown Convention Center, TX 
 Transcending the Borders of Memory, Norton Gallery & School of Art, FL 1993 Trade Routes, The New Museum of Contemporary Art, NY 
 Witness, Presentation House Gallery, North Vancouver, Canada
 Seventh Triennial Exhibition, Fuller Museum of Art, Brockton, MA 
 Memos for the Next Millennium, Boston Center for the Arts & the Space, Boston, MA
 4 Artists Edition, The Space, Boston, MA 
 The Year of the White Bear, (a project of Guillermo Gomez Peña/Coco Fusco), Mexican Fine Arts Center Museum, Chicago, IL Otis School of Art and Design, Los Angeles, CA 
 El Corazon Sangrante/The Bleeding Heart, Fundacion Museo de Bellas Artes, Caracas, Venezuela 1992 Ways to See: New Art From Massachusetts, Institute of Contemporary Art, Boston, MA 
The Year of the White Bear, The Walker Center for the Arts, Minneapolis, MN 
 Our View of Struggle, Gallery 44, Center for Contemporary Photographs, Toronto, Canada 
Ethos, The York Quay Gallery, Harbor Front, Toronto, Canada 
El Corazon Sangrante/The Bleeding Heart, Contemporary Art Museum, Houston, TX Institute of Contemporary Art, Philadelphia, PA Mendel Art Gallery, Saskatoon, Saskatchewan, Canada Newport Harbor Art Museum, CA 1991 Africa in America, Traveling Show from 4th Biennial of Havana, Spain IV Biennial de La Havana, National Museum of Fine Arts, Havana
 El Corazon Sangrante/The Bleeding Heart, Institute of Contemporary Art, Boston, MA Senki Sem Sziget/No Man is an Island, Ernst Muzeum, Budapest, Hungary 1990 Cuba OK, Stadische Kunsthalle, Dusseldorf, Germany 
No Man is an Island: Young Cuban Art, Porin Taidesmuseo, Finland Flaffy Palace, Vienna, Austria
 The Sculptural Object, Center for the Development of Visual Art, Havana, Cuba 
Contemporary Art from Havana, Contemporary Art Museum of Sevilla, Spain 1989 Contemporary Art from Havana, Riverside Studios, London, UK Aberstwyth Arts Centre, Dyfed, Wales 
Made in Havana, Museum of Contemporary Art, Brisborne, Australia 
 Raices en Accion, Nuevos Artistas Cubanos/Roots in Action, New Cuban Artists, North Lima Art Museum, Peru Museum of Modern Art, Caracas, Venezuela Lo Erotico en el Arte, University of Havana, III Biennial of Havana, Cuba 1988 Made in Havana, Art Gallery of New South Wales, Sidney Australian Center for Contemporary Art, Melbourne, Australia
 Raices en Accion Nuevos Artistas Cubanos/Roots in Action, New Cuban Artists, Museum of Art Carrillo Gil, Mexico 
 Havana in Madrid, Centro Cultural de la Villa, Madrid, Spain 
Exhibition of Cuban Painting, House of Culture, Ibn Khaldoun, Tunisia, Africa 
 Signs of Transition: 80's Art from Cuba, MOCHA, New York, NY Maris Gallery, Westfield State College, Westfield, MA 
 Cuban Art in Boston, Massachusetts College of Art, Boston, MA 
 Creadoras Cubanas/Cuban Woman Creators, National Museum of Fine Arts, Havana, Cuba 
Contemporary Cuban Art, GalleryTetriakov, Moscow, Russia 1987 The Love, National Museum of Fine Arts, Havana, Cuba 
Veintitantos Abriles, Havana Gallery, Havana Cuba 
Aire Fresco / Fresh Air, Fund of Good Culture, Havana, Cuba 
 COLLECTIONS Museum of Modern Art, New York, NY US
 The Art Institute of Chicago, Chicago, IL US
 The Whitney Museum of American Art, New York, NY US
 Polaroid Collection, Boston, MA US
 The Fog Museum Harvard University Cambridge MA US
 The Norton Museum, West Palm Beach, FL US
 The National Gallery of Canada, Ottawa, Canada
 The Mac Arthur Foundation, Chicago, IL US
 Vancouver Art Gallery, Vancouver, Canada 
 Museum of Fine Arts, Boston, MA US
 Rutgers University Center for Innovative Print and Paper, NJ US
 The Museum of the National Center of African American Artists, Boston, MA US
 Ludwig Forum for International Art, Aachen, Germany
 The Museum of Contemporary Art, Tokyo, Japan 
 Fort Lauderdale Museum of Arts, FL US
 National Museum of Fine Arts Havana, Cuba
 Center for the Development of Visual Arts, Havana, Cuba
 The Good Culture Fund, Havana, Cuba
 Davis Museum and Cultural Center, Wellesley College, Wellesley, MA Worcester Art Museum, Worcester, MA US
 The Victoria and Albert Museum London UK De Cordova Museum, Lincoln, MA US High Museum of Art, Atlanta, GA US Spellman College Museum of Fine Arts GA US Vanderbilt University Museum of Art Nashville TN US Casa De las Americas Havana Cuba 21 C Museum, Louisville, KY US Jordan Schnitzer Museum of Art at the University of Oregon, Eugene, OR Miami Art Museum, Miami, FL US La Marrana Arte Ambientale Italy Smith College Museum Nort Hamptom MA US AWARDS & FELLOWSHIPS 2012 Woman of Color Award Boston MA US 2011 Woman of Courage Boston MA US Hispanic Alianza Award Nashville TN US
 2009 The Jorge Hernandez Leadership in the Arts Award, MA US 2007 Rappaport Prize MA US 2004 The Artist Resource Foundation, MA US 
2002 LEF Foundation, Cambridge, MA US
 2000 Polaroid Artist Support Program, Boston, MA US
 1997 The Louis Comfort Tiffany Foundation Grant, NY US
 Visiting Foreign Artist, The Photographer's Gallery, Saskatoon, Canada 
 Visiting Artist, Rutgers University Center for Innovative Print and Paper, NJ US
 Polaroid Artist Support Program, Boston, MA US
 1996 Ella Jackson Artist and Scholars Fund, Truro Center for the Arts Castle Hill, MA US
 Nominated for the Rockefeller Foundation Intercultural Film/Video Multimedia Fellowship Installation / Interactive Category, NY US
 Nominated for the CalArts/Alpers Award CA US
 1995 Art Reach 95 Award, National Congress of Art & Desing, Salt Lake City, UT US
 BAM, Visual Artist Initiative, finalist 94 - 93 US
 Bunting Fellowship, Radcliffe College at Harvard, Cambridge, MA US
 New England Foundation for the Arts, Regional Fellowship, MA US
 Nominated for the CalArts/Alpert Award in the Arts CA US 
 1992-1991 Foreign Visiting Artist Grant, Media Arts, Canada Council Painting Fellowship, The Banff Centre, Alberta, Canada 

 1990 Painting Fellowship, The Banff Centre, Alberta, Canada 1989 Medal of Honor, City of Guanabacoa, Cuba 
 1986 Honorary Mention - XVII International Festival of Painting, Cagnes Sur Mer, France 1985 Symposium of Scientific Studies, Research Award, Higher Institute of Art, Havana, Cuba 

 1983 Mention, Painting - 13th of March Competition, University of Havana, Cuba 
 PERFORMANCE/MULTIMEDIA 2012 Llego Fefa Opening of 11th Havana Biennial ( live Performance) Wifredo Lam Centro sea Arte Contemporaneo May 11 2012 Havana Cuba Llego Fefa Projecto Behind The Wall May 13 2012 Malecon Havana Cuba Llego FeFa 14MB Casa De lAs Americas feb 23 2012 Havana Cuba 2011 Journeys Frist Center for Visual Arts Auditoriun Oct 2011 Nashville TN US 2010 Regalos Remis Auditorioum MFA 2007 Regalos IMA IN US Dry Eyes Weet Feet InIVA Rivington Place Place London UK 2004 Domestic Rhapsody; Getting Emotional (live performance ,45 minutes) ICA Boston MA 2002 One Stich at a Time, (live performance, 60 minutes) Henie Onstad Museum, Oslo Norway
 1998 Intervention (live performance, 15 minutes) Art in General, New York, NY US
 1996 Letter to My Mother, (live performance, 45 minutes), The National Museum of Women in the Arts, Washington DC US 1994 Letter to My Mother (live performance, 45 minutes) Colloquium Room, The Bunting Institute of Radcliffe College, Cambridge, MA US
 Letter to My Mother (live performance, 45 minutes) Norton Gallery of Art, West Palm Beach, FL 
 Foto Fest, George Brown Convention Center, Houston, TX 
 The Seven Powers Come by the Sea, (live performance 30 minutes), Miami Dade Community College, Gallery North, Miami, FL 
 1993 La Voz del Silencio / The Voice of Silence, (live performance, 3 hours), The Space, Boston, MA 
Baño Sagrado / Sacred Bath, (3/4" video, 30 minutes), INTAR Latin American Gallery, New York, NY Bunting Institute of Radcliffe College, Cambridge, MA 
1992 The Seven Powers Come by the Sea, (live performance, 1 hour), Institute of Contemporary Art, Boston, MA
 La Voz del Silencio / The Voice of Silence, (live performance, 3 hours), Gallery La Centrale / Powerhouse, Montreal, Canada
 1991 Baño Sagrado / Sacred Bath, (3/4" video, 30 minutes), Commissioned by the Western front Society, Vancouver, Canada 
 1990 Rito de Iniciacion / Rite of Initiation, (Film, Boston), Banff Centre for the Arts, Alberta & Satellite Exchange / Video Inn, Vancouver, Canada Ontario College of Art, Toronto, Canada 
1988 Rito de Iniciacion / Rite of Initiation, (Film, Boston), Film Society, Massachusetts College of Art, Boston, MA Collective for Living Cinema, NY IV International Electroacoustic Music Festival, Varadero, Cuba Department of Afro American Studies, Yale University, CT Center Wifredo Lam, Higher Institute of Art, Havana, Cuba 1986 Art and Sex Conference, (installation), Garden of NEAC, Havana, Cuba 
 SELECTED REVIEWS 2013 Harvard Gazette 2011 Washington Post TuBoston.com Art New England Nashville Scene Vanderbilt University  Vanderbilt University The Tennessean 2010 Gant Center  Art Practice as Research Boston Globe Art In America 2009 Boston.com  - "Sugar" is a bittersweet autobiography El Nuevo Herald - Maria Magdalena Campos Pons: rituales de sanacion New England Journal of Aesthetic Research, Maria Magdalena Campos-Pons 2008 Spelman College Art Daily.org Elliot Museum Making a dispora connection through art 2007 Art Forum  Collection for Cincinnati Museum; Rappaport Prize; Kapoor for Haus der Kunst Wynwood The Art Magazine,  Maria Magdalena Campos Pons Everything is Separated by Water ART news The Persistence of Memory by Hilarie M Sheets Feb 2007 Miami Herald Cuban artist connects memories of a framented life The New England Journal of Aesthetic Research Maria Magdalena Campos Pons Miami New Times Gauzy Longing 2006 ART REVIEW | 'LEGACIES: CONTEMPORARY ARTISTS REFLECT ON SLAVERY' At Historical Society, Emancipation Remains a Work in Progress New York Times June 20 By Holland Cotter Flash Arts 2005 Guide New York, Cover NY NY 
 Fardy, Jonathan, " A GASP of Fresh Air", ArtsMedia, March- April 
 Edgers, Geoff, "Perchance to Dream", Boston Globe, February 4 
 2004 McQuaid, Cate " Art Blossoms Around the City", Boston Globe, December 26 Temin, Chrisitine, " Getting Under the Skin", Boston Globe, February 13 
 Hopkins, Randi, "Mother Nature on the Run", Boston Pheonix, September 10 2001
 Temin, Christine. "From Cuba to Boston to Venice." Boston Sunday Globe. July 1. 2000 
 McQuaid, Cate. "Left speechless by the power of her silence." Boston Globe. October 12. 1999 
 Consoli, Grace. "Meanwhile, the girls were playing." ArtsMedia. November - December. 
 Temin, Christine. "A delicate spin on a life in Cuba." Boston Globe. November 17. 
 Wildman, David. "Technology doesn't overwhelm the art." Boston Globe, October.
 Costa, E. "Campos-Pons at MoMA and Lehman College." Art in America. April. 1998 
Bell, Lynn. "History of people who were not heroes. A conversation with MMCP. Third Text. Summer/Fall. London. Valle, Olga. "Maria Magdalena Campos-Pons." Glass. Number 72, Fall. 
 Munoz, Ibanez. "En Torno al trabajo de MMCP en Nueva York. Las Provincias. May 9, Spain.
 Zimmer, W. "One show ponders a cause & the other reviews a heritage". New York Times. April 19. 
 Klawans, S. "Critic's Choice, Museums." Daily News. May 16. 
 Wilson Lloyd, A. "Magdalena Campos-Pons." Sculpture, February. 
 Unger, Miles. "Magdalena Campos-Pons." ARTnews, January. 
 Sherman, Mary. "Photos stripped of color evoke pain, poignancy." Boston Herald, January 16. 1997 Tarlow, Lois. "The divided heart of M.M. Campos-Pons." Art New England. 
 April. Robertson, S. "The artist as creator . . . and canvas." The Star Phoenix, April 5, Canada. 
1996 Turner, Elisa. "Latin American women show." The Herald, June 16. 
 McQuaid, Cate. "Artwork that gets under the skin." The Boston Globe, October 17. Silver, Joanne. "Cuba-America 'paints' with eyelashes." The Boston Herald, December 6. 1995 Damian, Carol. "Transcending the borders of memory." ARTnews, March. Anere, Morgan. "Transcending the borders of memory." Art in America, May. 
 Miller, Randy. "Transcending the borders of memory." Art Papers, May/June. 
 McEntire, Frank. "Art from far, wide at Salt Lake City." The Salt Lake Tribune, September 17. 1994
 Medina, Meg. "Bordering on Excellence." Palettes, November 2. 
 Hurlburt, Roger. "Going Home." Sun Sentinel, October 2. 
 Fusco, Coco. "M.M. Campos-Pons at INTAR." Art in America, February. 
Cohn, Terri. "Shaped identities: The photographic object." Camerawork, Spring/Summer.
 Stapen, Nancy. "A personal vision of the slave trade." The Boston Globe. June 28. 
 McQuaid, Cate. 'Heroic Histories." The Boston Phoenix, June 12. 
 Kohen, Helen. " Arts blends Cuban feminine, African." The Miami Herald, March 12. 
Giuliano, Mike. "Latin-American artists at MICA." City Paper, March 6, Baltimore. 1993 Laurence, Robin. "New points of view." The Weekend Sun, November 27, Vancouver, Canada
 1992 McQuaid, Cate. "Five-for-all." The Boston, Phoenix, September 18.
 Lopez, Sebastian. "Made in Havana." Lapiz, No. 85, March, Madrid.
 Murphy, Jay. "Art challenges colonization: The IV Havana biennial." Cuba Update, April.
 Johnson, C. P. "Blood and Tears." Houston Chronicle, March 6. 
 Johnson, Ken. "Hearts and Minds." Art in America 
March Le Blanc, Odette. "How the human body is a tree." Images, March 19. 
 Dumont, Jean. "A la croisee des cultures." Le Devoir, January 28, Montreal, Canada 
 Girouard, Eric. "L'eau, le lait el le sang." Le McGill Daily Francais, January 28, Montreal, Canada
 1991 Contrera, Carmen. "The art of M. Campos." Aquellarre #7/8, Vancouver, Canada 
 West, Alan. "The bleeding heart: Motif pervades a contemporary exhibit." 
 Christian Science Monitor, December 10. 
 Lopez, Sebastian. "Cuban art in the '80's." Art i, #6, Amsterdam, Holland. 
 Mosquera, G. "Feminismo en Cuba?" Revolution and Culture, June, Havana, Cuba. 
 1989 Mosquera, G. "Renovacion en los 80's." Revolution and Culture, June, Havana, Cuba.
 Hilton, Tim. The Guardian, November 1, London, England.
 Mosquera, G. Revolution and Culture, April, Havana, Cuba. 
 Caballero, Rulfo. "Sin hoja de parra." Juventud Rebelde, November 17, Havana, Cuba. 
 PUBLIC ART COMMISSIONS 2011 Imole Blue , Vanderbilt University Garden Nashville TN 1999 Not Just Another Day. Donnell Media Center New York Public Library. 
 1990 Space for Love (permanent installation in Embassy Hotel, Room 44), London, Ontario, Canada.
 1987 Wall Installation. Hospital Provincial de Pinar del Rio, Commissioned by the Cuban Fund for the Fine Arts, Cuba. ART FAIRS 2013 Zadok Gallery Art Maimi Dec 2013 2012 Bernice Steinbaum Art Miami Dec 2012 2011 MIA - MILAN IMAGE ART FAIR, Superstudio Più, Milan, May 2011 2010 Bernice Steinbaum Art Miami Dec 2010 2008 ART MIAMI, Galleria Pack Milan The Art Miami Pavillion, Miami, Nov 2007 ART MIAMI, Galleria Pack Milan Winwood Art District, Miami, Dec 2007 ARCO’07, Feria de Madrid Galleria Pack Milan , Madrid, feb 2007 2006 ARCO’06, Feria de Madrid, Galleria Pack Milan Madrid, Feb 2006 PHOTO NEW YORK, METROPOLITAN PAVILLION, NEW YORK, Galleria Pack OCT 2006 ARTISSIMA 13, Lingotto Fiere, Turin, Galleria Pack Nov 2006 PHOTO MIAMI, Winwood Art District, Galleria Pack Milan Miami, Dec 2006 Miami MARIA MAGDALENA CAMPOS-PONS Project 53+1=54+1=55/ Letter of the Year Maria Magdalena Campos-Pons Neil Leonard 55th Venice Biennial Cuban Pavilion Entry Museum... http://www.stephanstoyanov.com/Greg-Goldberg-1 http://www.stephanstoyanov.com/following/stephanstoyanov.com/Greg-Goldberg-1 Mon, 15 Apr 2013 07:19:01 +0000 Stephan Stoyanov Gallery 5410006 <img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030102_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030102_o.png" data-mid="29124442" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030098_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030098_o.png" data-mid="29124444" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030093_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030093_o.png" data-mid="29124448" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030058_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030058_o.png" data-mid="29124449" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030043_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030043_o.png" data-mid="29124454" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030041_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030041_o.png" data-mid="29124456" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030024_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030024_o.png" data-mid="29124458" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1030003_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1030003_o.png" data-mid="29124460" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020925_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020925_o.png" data-mid="29124462" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020920_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020920_o.png" data-mid="29124464" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020849_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020849_o.png" data-mid="29124467" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020844_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020844_o.png" data-mid="29124469" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020840_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020840_o.png" data-mid="29124470" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020831_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020831_o.png" data-mid="29124474" border="0" align="left"/><img src="http://payload155.cargocollective.com/1/8/276771/5410006/P1020788_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload155.cargocollective.com/1/8/276771/5410006/P1020788_o.png" data-mid="29124476" border="0" align="left"/> GREG GOLDBERG: NORTHERN LIGHT April 17 - June 23, 2013 Opening Reception: April 17, 6-8 p.m. Stephan Stoyanov Gallery is pleased to announce ``Northern Light,'' the first solo exhibition by Greg Goldberg. The show features abstract paintings and works on paper, all done in natural light at Goldberg's North facing studio in New York. Each work is a hand-made object, built slowly over time by layering dozens of pigments to create unique color relationships. Rich in opaque, translucent and transparent hues, the paintings change with light throughout the day and over the seasons. Goldberg's ongoing dialog with art history is tied into his contemporary art practice. The usage of color as a vehicle for expression was inspired by an early interest in Florentine Mannerist Jacopo Pontormo; the emphasis on light comes out of Venetian masters. The process of making each piece - from using rabbit-skin glue, a traditional lead ground and slow build-up of color - is connected to the Old Masters, while the investigation of the painting as subject matter ties the work to postwar American abstraction. While the works are evocative, they don't refer to anything other than the history of their own making. Up close, they reveal a complex structure as new color transitions and brushwork passages continue to come into focus. Tension is built by using pigments that reflect and absorb light and brushwork that feels suppressed in some areas and exuberant in others. The project as a whole is about creating rich visual sensations through ever more refined and unexpected color combinations. As the viewer is drawn into the exploration of the paintings' layered archeology, time seems to have slowed down. Born in 1973, Goldberg is a native New Yorker. He graduated from Skidmore College and studied painting in Florence, Italy. His works are in the permanent collection of the Museum of Modern Art. GREG GOLDBERG: NORTHERN LIGHT April 17 - June 23, 2013 Opening Reception: April 17, 6-8 p.m. Stephan Stoyanov Gallery is pleased to announce ``Northern Light,''... http://www.stephanstoyanov.com/Renata-Poljak http://www.stephanstoyanov.com/following/stephanstoyanov.com/Renata-Poljak Sun, 13 Jan 2013 17:04:17 +0000 Stephan Stoyanov Gallery 4758922 <img src="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak - Staging Actors Staging Beliefs Set photograph- 2012 C-Print- 78.7 in x 35.4 in 200 x 90 cm_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak - Staging Actors Staging Beliefs Set photograph- 2012 C-Print- 78.7 in x 35.4 in 200 x 90 cm_o.png" data-mid="25397389" caption="RENATA POLJAK&lt;br /&gt; &lt;i&gt;Staging Actors/Staging Beliefs&lt;/i&gt; (Set photograph), 2012&lt;br /&gt; c-print&lt;br /&gt; 78.7in x 35.4in (200 x 90cm)&lt;br /&gt; Edition of 5" border="0" align="left"/><img src="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak- Alice- C-Print 39.4 x 39.4 in_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak- Alice- C-Print 39.4 x 39.4 in_o.png" data-mid="25397392" caption="RENATA POLJAK&lt;br /&gt; &lt;i&gt;Alice&lt;/i&gt;, 2002&lt;br /&gt; c-print&lt;br /&gt; 39.5in x 39.5in (100cm x 100cm)&lt;br /&gt; Edition of 5" border="0" align="left"/><img src="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak- Uncertain Memories This is not me- 2012- C-Print 33 x 23 in 85 x 60 cm_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload122.cargocollective.com/1/8/276771/4758922/W-Renata Poljak- Uncertain Memories This is not me- 2012- C-Print 33 x 23 in 85 x 60 cm_o.png" data-mid="25397401" caption="RENATA POLJAK&lt;br /&gt; &lt;i&gt;Uncertain Memories This is not me&lt;/i&gt;, 2012&lt;br /&gt; c-print&lt;br /&gt; 33.5in x 23.5in (85cm x 60cm)&lt;br /&gt; Edition of 5" border="0" align="left"/> RENATA POLJAK - Uncertain Memories January 13 - February 17, 2013 Opening Reception: Sunday, January 13 6 - 9pm Stephan Stoyanov Gallery is pleased to announce the opening of Uncertain Memories, the first solo exhibition at the gallery by the New York and Zagreb, Croatia-based artist Renata Poljak. The exhibition presents the artist’s works in video, photography and film made between 2007 and 2012, including here acclaimed multimedia series Staging Actors/ Staging Beliefs (2001/2012). The exhibition is curated by Zeljka Himbele. The title of the exhibition underlines continuous thread in Renata Poljak’s work- preoccupation with how ideologies and political agendas are being formed and disseminated, and how memory and history are constructed and recorded. The artist starts with her personal experiences, often portraying contemporary society of her home country of Croatia- however, the works resonate on much wider scale. In Staging Actors/ Staging Beliefs, the artist uses different media to investigate two iconic films of Yugoslav cinematography: Bosko Buha (1978) and Train in the Snow (1976). Through their continuous screenings both in theaters and on the national television, the communist ideology and belief in socialist system were extensively spread and influenced generations of people. Poljak examines what is currently happening to the actors who took main roles in these once popular films, and accordingly, how the Yugoslav political, social and cultural agendas transformed and mutated since the early 1990’s when Yugoslavia disintegrated and Croatia (one of the former Yugoslav States) gained its independence. The work can also be read as a general homage to all public personas, once embodying grand ideals, to be eventually forgotten and removed from collective memory. In Poljak’s most recent work, a photograph titled Uncertain Memories: This is not me, 2012, the history of cinema is again both a resource and a motif. The artist appropriates a frozen frame from Andrei Tarkovsky’s documentary Voyage in Time (1983), made during the director’s research trip through Italy for his famous feature film Nostalgia, to contemplate on entanglement of real and fictional in her investigation of remembering and identity. Finally, the video installation Ruta and the Monument, 2007, a work conceived during Poljak’s stay in the city of Berlin, juxtaposes two videos- completely different readings of the Holocaust— in order to speak about malleability of interpretations of the past through the present. Staging Actors / Staging Beliefs, 2011/12 VIEW (11min) Staging Actors / Staging Beliefs (Daily News), 2012 VIEW (11min) Staging Actors / Staging Beliefs (hommage to Slavko Stimac), 2012 VIEW (11min) Ruta and the Monument, 2007 (2 channel video installation) VIEW (6min loop) VIEW (12min loop) About the Artist: Born in 1974, Renata Poljak grew up and graduated from the School of Fine Arts in Split and later spent a year in post-graduation (international post diploma) at the Ecole Régionale des Beaux-Arts in Nantes, France. In 2002 she was a visiting artist at San Francisco Art Institute, and in 2008 she has been selected for Art In General residency program in New York. Renata's work has been exhibited widely, through solo or group shows, biennials and film festivals. She received several awards, among them The Golden Black Box Award at the Black Box Festival in Berlin in 2006, and the T-HT award- one of the most important contemporary art awards in Croatia, in 2012. In 2010 her films were shown in Prospective Cinema (Prospectif Cinéma) in Centre Georges Pompidou, Paris. She also participated at Paris Photo 2010 exhibit at the Carrousel du Louvre, while in October 2012 a selection of her films was on view in Palais de Tokyo, Paris. renatapoljak.com --- Village Voice Best in Show: Schizo Yugo, Renata Poljak Kulturpunkt Nepouzdana sjećanja NoviList Renata Poljak izlaže u New Yorku Culturenet Samostalna izložba Renate Poljak u New Yorku Jutarnji Izložbu u Titovu bunkeru Buro247 Samostalna izložba Renate Poljak u New Yorku TimeOut Croatia Pressa Daily Наш галерист с най-добра изложба в Ню Йорк RENATA POLJAK - Uncertain Memories January 13 - February 17, 2013 Opening Reception: Sunday, January 13 6 - 9pm Stephan Stoyanov Gallery is pleased to announce... http://www.stephanstoyanov.com/Brigitte-NaHoN http://www.stephanstoyanov.com/following/stephanstoyanov.com/Brigitte-NaHoN Thu, 29 Nov 2012 13:27:56 +0000 Stephan Stoyanov Gallery 4523523 <img src="http://payload111.cargocollective.com/1/8/276771/4523523/web2.Brigitte NaHoN Holiness-2 for nyc before november 8th- 2012 copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web2.Brigitte NaHoN Holiness-2 for nyc before november 8th- 2012 copy_o.png" data-mid="24030450" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Holiness #2&lt;/i&gt;, 2011&lt;br /&gt; Glue, glass, plexiglass&lt;br /&gt; 18 1/4&quot; x 24” x 21 1/4&quot; " border="0" align="left"/><img src="http://payload111.cargocollective.com/1/8/276771/4523523/web3.Brigitte NaHoN Holiness-3 for nyc before november 8th- 2012 copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web3.Brigitte NaHoN Holiness-3 for nyc before november 8th- 2012 copy_o.png" data-mid="24030471" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Holiness #3&lt;/i&gt;, 2011&lt;br /&gt; Glue, glass, plexiglass&lt;br /&gt; 18” x 23 5/8&quot; x 20 1/2&quot;" border="0" align="left"/><img src="http://payload111.cargocollective.com/1/8/276771/4523523/web4.Brigitte NaHoN Holiness-4 for nyc before november 8th- 2012 copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web4.Brigitte NaHoN Holiness-4 for nyc before november 8th- 2012 copy_o.png" data-mid="24030462" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Holiness #4&lt;/i&gt;, 2011&lt;br /&gt; Glue, glass, plexiglass&lt;br /&gt; 20 5/8&quot; x 34 1/2&quot; x 23”" border="0" align="left"/><img src="http://payload111.cargocollective.com/1/8/276771/4523523/web5.Brigitte NaHoN Holiness-5 for nyc before november 8th- 2012 copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web5.Brigitte NaHoN Holiness-5 for nyc before november 8th- 2012 copy_o.png" data-mid="24030475" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Holiness #5&lt;/i&gt;, 2011&lt;br /&gt; Glue, glass, plexiglass&lt;br /&gt; 14 1/8&quot; x 31 7/8&quot; x 20 5/8&quot;" border="0" align="left"/><img src="http://payload111.cargocollective.com/1/8/276771/4523523/web6.Brigitte NaHoN Frozen Time-2 for nyc before november8th- 2012 copy copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web6.Brigitte NaHoN Frozen Time-2 for nyc before november8th- 2012 copy copy_o.png" data-mid="24030468" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Frozen Time #2&lt;/i&gt;, 2011&lt;br /&gt; Glue, paper acid free, plexiglass, lego&lt;br /&gt; 20”x31”x23 5/8&quot;" border="0" align="left"/><img src="http://payload111.cargocollective.com/1/8/276771/4523523/web7.Brigitte NaHoN shinning space-4 for nyc before november 8th- 2012 copy_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload111.cargocollective.com/1/8/276771/4523523/web7.Brigitte NaHoN shinning space-4 for nyc before november 8th- 2012 copy_o.png" data-mid="24030455" caption="BRIGITTE NAHON&lt;br /&gt; &lt;i&gt;Shining Space #4&lt;/i&gt;, 2010&lt;br /&gt; Plastic mirror finished, plexiglass, lego, white silicone&lt;br /&gt; 48” x 72” x 24”" border="0" align="left"/> BRIGITTE NAHON - Haim Shelley, Part One: Works from Tel Aviv November 29 - December 28, 2012 Opening Thursday, November 29th 6 - 9pm The Stephan Stoyanov Gallery is pleased to announce Brigitte NaHoN's first solo exhibition at the gallery after exhibiting her works in various group shows since 2006. This exhibition, entitled: Haim Shelley, Part One: Works from Tel Aviv, will focus on NaHoN's recent sculptures created from 2009 to 2012 since she immigrated to Israel. The title of the exhibition is derived from the combination of two names, Haim and Shelley Nahon, both Holocaust survivors, NaHoN's uncle and his wife, respectively. In Hebrew, 'Haim Shelley' translates to 'my lives'. 'Life' is always plural in accordance with the Jewish faith and Hebrew language, which is a testament to the fact that lives are at once shared and interconnected. For this exhibition, 6 recent sculptures are presented called Shining Space, Frozen Time, and Holiness. Shining Space was created when NaHoN lived in Kibbutz Hatzor (2009-2010), which is next to an important Israeli air force base. The artist transformed the daily noise disturbance of F16 planes, which took off during military training, to become triangle shapes in a shining sky. This work expresses how solitude can become ethereal and even vanish when shared with others. The work is a metaphor for chaos becoming balance, conjoining volume with space and space with time. Frozen Time was created in Tel Aviv and NaHoN kept the triangle shape which is an important symbol in Jewish culture and history. The triangles made in steel plastic and polished paper, protrude outward as if they are reaching infinity from the sky, pushing the limits and asking for a new beauty, a new balance. Finally, the 5 sculptures called Holiness, explore the bond between the physical and spiritual within our environment and between generations and religions. Inside each gold triangle or pyramidal cube, NaHoN has created a kind of holy object for pushing the limits of belief, knowledge and perception. It is an attempt to conflate Christianity and Judaism in a gold and transparent space in reference to the Jerusalem light. NaHoN's ethereal sculptures investigate the concept of perfect balance in an imperfect world, relating the artist's personal experiences to the framework of history as a whole. Simultaneously, The French Institute Alliance Française (FIAF) is hosting an exhibition by NaHoN entitled Haim Shelley, Part One: Works from Tel Aviv, from November 28th to January 12th, 2013. This exhibition, curated by Tony Guerrero, Director of Visual Arts and Programs, is intended as an historical reflection of NaHoN's works between 1995 to the present. About the Artist: Born in Nice and based in Tel Aviv, award-winning artist Brigitte NaHoN creates sculptures and drawings that explore the elusive possibility of balance between tradition and modernity. Using an unlimited variety of materials, NaHoN investigates the concept of perfect balance in an unbalanced world,weaving conflicting characteristics - heaviness and lightness, strength and fragility, transparency and darkness- together to create a harmonious whole. NaHoN’s work has been exhibited internationally at The Jewish Museum, New York, and the Centro Cultural Banco, Rio de Janeiro, Brazil, where the first retrospective of NaHoN’s work was presented in 2001. Recent solo exhibitions include Stephan Stoyanov Gallery, New York; Gallery Iragui, Moscow, Galerie Jérôme de Noirmont, Paris, “Side by Side” Akim Monet Gallery, Berlin, and Largo Das Artes Gallery, Rio de Janeiro. NaHoN has been awarded numerous public commissions, including permanent works produced for the Musée International de la Parfumerie, Grasse; The Jewish Museum, New York; and the New Courthouse of Avignon, commissioned by The French Ministry of Justice. NaHoN holds a Master of Fine Arts from the University of Provence, Aix-en-Provence and a PhD in Visual art from the University of Paris, Panthéon-Sorbonne. NaHoN lived and worked in New York during the early 2000’s and became an American citizen. She later immigrated to Israel and is now an Israeli citizen. BRIGITTE NAHON - Haim Shelley, Part One: Works from Tel Aviv November 29 - December 28, 2012 Opening Thursday, November 29th 6 - 9pm The Stephan Stoyanov... http://www.stephanstoyanov.com/Alexandra-P-Spaulding http://www.stephanstoyanov.com/following/stephanstoyanov.com/Alexandra-P-Spaulding Tue, 06 Nov 2012 10:56:33 +0000 Stephan Stoyanov Gallery 4027602 <img src="http://payload86.cargocollective.com/1/8/276771/4027602/feverdreams-12-2_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/feverdreams-12-2_o.png" data-mid="22535882" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;Fever Dreams&lt;/i&gt;, 2012&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027602/feverdreams-12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/feverdreams-12_o.png" data-mid="22535891" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;Fever Dreams&lt;/i&gt;, 2012" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027602/yonandme-12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/yonandme-12_o.png" data-mid="22535901" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;You &amp; Me I&lt;/i&gt;, 2012&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027602/yonandmeII-12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/yonandmeII-12_o.png" data-mid="22538741" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;You &amp; Me II&lt;/i&gt;, 2012&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027602/slightofhand-1112-2_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/slightofhand-1112-2_o.png" data-mid="22535905" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;Sleight of Hand&lt;/i&gt;, 2011-12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027602/slightofhand-1112_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027602/slightofhand-1112_o.png" data-mid="22535910" caption="&quot;ALEXANDRA P. SPAULDING&lt;br /&gt; &lt;i&gt;Sleight of Hand&lt;/i&gt;, 2011-12&quot;" border="0" align="left"/> ALEXANDRA P. SPAULDING www.noisefornothing.com October 24th 1979, Buffalo NY, USA Currently lives and works in the US EDUCATION 2005-2011 PhD, The Glasgow School of Art, Glasgow UK 2003-2005 MFA, The Glasgow School of Art, Glasgow UK 1998-2002 BFA (with honours) Tisch School of the Arts at New York University, NYC USA SPECIAL PROJECTS: 2009 “everything, for a short time”, noiseforsomething gallery, Arch 6, Glasgow “when you take everything away, the only thing left is imperfection”, McLellan Gallery, Glasgow “this is how i want you to remember it”, McLellan Gallery, Glasgow SELECTED SOLO SHOWS 2012 “white nights”, Stephan Stoyanov Gallery, New York City 2011 “the daysleeper”, The Vault Gallery, Buffalo 2008 “slipping outside of yourself”, McLellan Gallery, Glasgow 2007 “nighttime module” commissioned by the Edinburgh City Council, Ai Gallery, Edinburgh 2005 “not gonna take you for granted”, emerged, 54 Bell Street, Glasgow 2005 “don”t take it for granted”, emerged, 54 Bell Street, Glasgow SELECTED GROUP SHOWS 2012 “Phantoms”, Stephan Stoyanov Gallery, NYC “untitled projects”, Stephan Stoyanov Gallery, NYC 2011 “The Eyes of the Skin: Art of the Senses”, The Burchfield Penny Art Center, Buffalo 2006 “New Ruins”, Melbourne, Australia “Videoteque Mobile”, Curated by Scanner, Espace Landowski, Boulogne-Billancourt, Paris 2005 “Hiscox MFA in Beijing”, Chinese Academy of Fine Arts, Beijing “Exit Strategy”, Tramway, Glasgow 2004 “International Exchange Exhibition”, Hunter College Times Square Gallery, NYC “Interim Show”, Mackintosh and Newberry Galleries, Glasgow “The Games We Play”, Barcsay Terem, Budapest RECORDS, CDS, AND DIGITAL RELEASES 2011 “slow burn” LP red vinyl, 1st edition 500 “our velocity” LP white vinyl, 1st edition 500 “position determines perspective” LP black vinyl, 1st edition 500 “the daysleeper” EP limited CD release of 50 2009 “everything, for a short time” L.P. red vinyl, 1st edition 500 “when you take everything away, the only thing left is imperfection” L.P., white vinyl, 1st edition 500 “this is how i want you to remember it”, L.P., black vinyl 1st edition 500 2007 “nightime module”, limited release via download “panic attack”, limited release via download 2006 “i have secrets of my own”, limited release via download CURATORIAL PROJECTS 2005 “BUD/GLA”, Mackintosh Building, Glasgow 2004 “The Games We Play”, Budapest 2002 “Once Over”, EFA 323 West 39th Street, NYC (with Simone Montemurno) RESIDENCIES AND AWARDS 2002 Sculpture and Installation Summer Residency, School of the Visual Arts, NYC Departmental Award, Photography Department, NYC SELECTED PUBLICATIONS AND REVIEWS: 2012 “Village Voice Choices” August 1 2012, John Fronsom 2006 “Videotheque Mobile”, Espace Landowski 2005 “Exit Strategy”, The Glasgow School of Art 2004 “International Exchange Exhibition, The Glasgow School of Art 2002 “TSOA Photography Department” New York University 2000 “Space and Structure”, New York University ALEXANDRA P. SPAULDING www.noisefornothing.com October 24th 1979, Buffalo NY, USA Currently lives and works in the US EDUCATION 2005-2011 PhD, The Glasgow... http://www.stephanstoyanov.com/Jill-Weber http://www.stephanstoyanov.com/following/stephanstoyanov.com/Jill-Weber Tue, 06 Nov 2012 10:56:33 +0000 Stephan Stoyanov Gallery 4027610 <img src="http://payload86.cargocollective.com/1/8/276771/4027610/drw_skylightdiagram3_2010_xlg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027610/drw_skylightdiagram3_2010_xlg_o.png" data-mid="21819446" caption="JILL WEBER&lt;br /&gt; &lt;I&gt;Structural Diagram&lt;/I&gt;, 2010 &lt;br /&gt; Colored pencil and tape on black paper&lt;br /&gt; 3&quot; x 10&quot; x 10&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_3a_silverblue_xlg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_3a_silverblue_xlg_o.png" data-mid="21819453" caption="JILL WEBER&lt;br /&gt; &lt;I&gt;Structural Diagram3 Red/Copper&lt;/I&gt;, 2010 &lt;br /&gt; Oil on board&lt;br /&gt; 24&quot; x 24&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_escalera2_xlg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_escalera2_xlg_o.png" data-mid="21819462" caption="JILL WEBER&lt;br /&gt; &lt;I&gt;Structural Diagram3 Silver/Blue&lt;/I&gt;, 2010 &lt;br /&gt; Oil on board&lt;br /&gt; 12&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_escalera1_xlg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_escalera1_xlg_o.png" data-mid="21819457" caption="JILL WEBER&lt;br /&gt; &lt;I&gt;Escalera 1/Red&lt;/I&gt;, 2010 &lt;br /&gt; Colored pencil and tape on black paper&lt;br /&gt; 24&quot; x 24&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_3_redcopper_xlg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027610/stdia_3_redcopper_xlg_o.png" data-mid="21819451" caption="JILL WEBER&lt;br /&gt; &lt;I&gt;Escalera 2/Red&lt;/I&gt;, 2010 &lt;br /&gt; Colored pencil and tape on black paper&lt;br /&gt; 12&quot; x 12&quot;" border="0" align="left"/> http://www.stephanstoyanov.com/Jen-Mazza http://www.stephanstoyanov.com/following/stephanstoyanov.com/Jen-Mazza Tue, 06 Nov 2012 10:56:32 +0000 Stephan Stoyanov Gallery 4027579 <img src="http://payload86.cargocollective.com/1/8/276771/4027579/UntitledLandscape2012-10x13_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/UntitledLandscape2012-10x13_o.png" data-mid="21111826" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Untitled (landscape)&lt;/i&gt;, 2012&lt;br /&gt; oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/UntitledStreetScene2012-10x13_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/UntitledStreetScene2012-10x13_o.png" data-mid="21111835" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Untitled (street scene)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/SimilarInTheDissimilar-13x15_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/SimilarInTheDissimilar-13x15_o.png" data-mid="21111840" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Similar in the dissimilar (Proust)&lt;/i&gt;, 2011&lt;br /&gt; Oil on canvas&lt;br /&gt; 13&quot; x 15&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/FurElise2011-23x28_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/FurElise2011-23x28_o.png" data-mid="21111859" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Für Elise (Lee)&lt;/i&gt;, 2011&lt;br /&gt; Oil on canvas&lt;br /&gt; 23&quot; x 28&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/DearTania2011-13x17_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/DearTania2011-13x17_o.png" data-mid="21111868" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Dear Tania (Gramsci), 2011&lt;/i&gt;&lt;br /&gt; Oil on canvas&lt;br /&gt; 13&quot; x 17&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/Ravissement-9x10_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/Ravissement-9x10_o.png" data-mid="21111880" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Ravissement&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 9&quot; x 10&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/HuisClos-10x12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/HuisClos-10x12_o.png" data-mid="21111884" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Huis Clos&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/LosRepos-10x12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/LosRepos-10x12_o.png" data-mid="21111890" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Le repos&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/VoyageurSurLaTerre-9x10_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/VoyageurSurLaTerre-9x10_o.png" data-mid="21111897" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Voyageur sur la terre&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 9&quot; x 10&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/LaTentativeAmoureuse-10x12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/LaTentativeAmoureuse-10x12_o.png" data-mid="21111905" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;La Tentative Amoureuse&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/LePlanetarium-9x10_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/LePlanetarium-9x10_o.png" data-mid="21111917" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;La Planétarium (Sarraute)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 9&quot; x 10&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/Civilization-10x9_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/Civilization-10x9_o.png" data-mid="21111932" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Civilization (Clive Bell)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 9&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/AllPassionSpent-10x9_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/AllPassionSpent-10x9_o.png" data-mid="21111941" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;All Passion Spent (Vita Scakville-West)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 9&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/Lover2012-10x13_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/Lover2012-10x13_o.png" data-mid="21111962" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Lover&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/HiroshimaMonAmour2012-10x13_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/HiroshimaMonAmour2012-10x13_o.png" data-mid="21111967" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Hiroshima Mon Amour&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/ManAndSuperMan2012-10x9_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/ManAndSuperMan2012-10x9_o.png" data-mid="21111977" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Man And Superman&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 9&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/AubeAfterLeve2012-euphoria-of3-10x13_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/AubeAfterLeve2012-euphoria-of3-10x13_o.png" data-mid="21111988" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Aube, after Levé (euphoria)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/InArtToReduceIsToPerfectUgh_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/InArtToReduceIsToPerfectUgh_o.png" data-mid="21111999" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Aube, after Levé (In art to reduce is to perfect ugh)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/DeadYouMakeMeMoreAlive_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/DeadYouMakeMeMoreAlive_o.png" data-mid="21112007" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Aube, after Levé (Dead you make me more alive)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 13&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/TheBook2012-10x12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/TheBook2012-10x12_o.png" data-mid="21112010" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;the book&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/IsAnExtensionOfTheEye2012-10x12_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/IsAnExtensionOfTheEye2012-10x12_o.png" data-mid="21112012" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;is an extension of the eye...&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 10&quot; x 12&quot;" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027579/RosesForElise2012-19x23_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027579/RosesForElise2012-19x23_o.png" data-mid="21112026" caption="JEN MAZZA&lt;br /&gt; &lt;i&gt;Roses (for Elise)&lt;/i&gt;, 2012&lt;br /&gt; Oil on canvas&lt;br /&gt; 19&quot; x 23&quot;" border="0" align="left"/> JEN MAZZA "The Words" September 5th – October 14th Opening September 5th, 6 – 9 pm "if I combined the words cleverly, the subject was floundering in the signs." Jean-Paul Sartre Stephan Stoyanov Gallery is pleased to present The Words by Jen Mazza, her first solo exhibition in New York. The exhibition offers a selection of exquisite small-scale oil paintings of books, each text chosen for its personal and conceptual resonances; a sort of "object biography" playing with the idea of narrative on many levels. For Mazza, the book is the place where the world of ideas and the physical world of objects merge. She comments, "As in painting where form becomes the vehicle for content, the book serves as the support for the text: both visible and invisible, it mediates the experience of reading." And certainly, reading her work is a possibility in the paintings of books opened to reveal minutely painted text or illustrations, while her other book paintings must be judged simply by their covers. The subtle, muted colors echo those in Morandi's oeuvre; the compositions are emblematic -- are these paintings meditations on the text or perhaps a eulogy for the book as object? Jen Mazza (born 1972, Washington D.C.) received her MFA from Mason Gross School of the Arts at Rutgers University. She has exhibited in solo shows at the Jersey City Museum, Aljira Center for Contemporary Art, and John Davis Gallery in Hudson, NY, as well as in multiple group exhibitions which include: Komposition des Zufalls at Galerie Edgar Frei (Bern, Switzerland), Personal Effects at Gallery Affero (Newark, NJ), and Small is Beautiful at Flowers Gallery in New York. Honors include residencies at Yaddo, VCCA and Jentel. Mazza was also chosen as Artist in Residence at the Newark Museum in 2008. Jen Mazza lives and works in New York. - - - - - - art21 "Hand-to-Mouth Existence Begins to Pay Dividends" JEN MAZZA "The Words" September 5th – October 14th Opening September 5th, 6 – 9 pm "if I combined the words cleverly, the subject was floundering in the... http://www.stephanstoyanov.com/Shannon-Plumb http://www.stephanstoyanov.com/following/stephanstoyanov.com/Shannon-Plumb Tue, 06 Nov 2012 10:56:32 +0000 Stephan Stoyanov Gallery 4027606 <img src="http://payload86.cargocollective.com/1/8/276771/4027606/woman-with-burqua-still-3_2_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/woman-with-burqua-still-3_2_o.png" data-mid="22681451" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/window--2-still-with-siding_3_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/window--2-still-with-siding_3_o.png" data-mid="22681456" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/together-pic_1_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/together-pic_1_o.png" data-mid="22681461" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/photographer-3_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/photographer-3_o.png" data-mid="22681474" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-3_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-3_o.png" data-mid="22681485" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-2_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-2_o.png" data-mid="22681496" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-1_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/olympics-high-res-1_o.png" data-mid="22681508" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/invite-sexy_4_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/invite-sexy_4_o.png" data-mid="22681517" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/angry-model_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/angry-model_o.png" data-mid="22681536" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/fabric-seller-jpeg-1_5_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/fabric-seller-jpeg-1_5_o.png" data-mid="22681520" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/boxer-jpeg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/boxer-jpeg_o.png" data-mid="22681526" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4027606/ballerina-jpeg_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4027606/ballerina-jpeg_o.png" data-mid="22681532" border="0" align="left"/> SHANNON PLUMB: Film Sketches October 24th - 28th, 2012 Opening October 24th 6 - 9pm Stephan Stoyanov Gallery is pleased to announce Film Sketches, a video exhibition of Brooklyn-based artist Shannon Plumb, from Wednesday, October 24th to Sunday, October 28th. Using a Super 8 - Film Camera, Film Sketches will explore Plumb's cinematic studies of life's various roles and characters that deal with complexities embedded in the ordinary and extraordinary. Through the use of comedy and raw quality film, Plumb is a one-woman show starring as all characters and acting as the creative force behind her films. Plumb's videos are currently being showcased on ARThood.com, the new online destination for the art world. Additionally, Plumb is working on her first feature film titled Towheads, which she is directing, writing and starring in. About the Artist Shannon Plumb was born in Schenectady, New York and moved to the city in her early 20's. Unsure of her direction, she took a job as a gourmet delivery girl and found herself delivering food to the steps of Mario Sorrenti's home. In 1995, Plumb began her modeling career for Sorrenti. It was collaboration that has influenced her work as a filmmaker and visual artist from both aesthetic and theoretical standpoints. Plumb's work borrows from the histories of performance, photography, film and video, while at the same time making keen observations of modern life. "My work is about universal challenges, about distractions and obstacles that everyone endures- the heat, a mosquito after your skin, patience, victory and defeat, saying goodbye to someone you love. If they can laugh about the annoying things in life, then I've accomplished something. And, I've given something." Shannon Plumb has screened her work in film festivals such as the New York Video Festival at Lincoln Center (New York), the Underground Film Festival (New York), Freize Art Fair (London). Her work has also been exhibited at institutions including The New Museum for Contemporary Art (New York), Anthology Film Archives (New York), The Institute for Contemporary Art (London), and the Museum of Contemporary Art (Los Angeles), Brooklyn Museum (New York), Musee de Beaux Arts, Lausanne (Switzerland), Tate Museum (London). SHANNON PLUMB www.shannonplumb.com Born in 1970 in Schenectady, New York Lives and works in Brooklyn, New York SOLO EXHIBITIONS 2011 The Window Series, Smart Spaces, NY, NY The Window Series, Smack Mellon. Brooklyn, NY The Window Series, Standard Hotel, Downtown LA, CA The Window Series, Dumbo Arts Festival, Brooklyn, NY 2010 IFC Center, New York, NY 2009 Paper Collection, Art Association, Jackson Hole, WY The Park, Madison Square Park, New York, NY 2008 The Corner, Sara Meltzer Gallery, New York, NY Together, Sara Meltzer Gallery, New York, NY The Lift Series: Between Coming and going, The Kitchen, New York, NY 2007 Paper Collection, Sara Meltzer Gallery, New York, NY 2006 20.21 Galerie Edition, Kunsthandel, Essen, Germany City Gallery of Schwaz, Curated by Karin Pernegger, Tyrol, Austria 2005 Shannon Plumb: Behind the Curtain, Aldrich Contemporary Art Museum, Ridgefield, CT The Black Box, selected by Anne Ellegood and Shamim Momin, ARCO, Madrid, Spain 2004 Black and White, Sara Meltzer Gallery, New York, NY Colette, Paris France Chasing Its Tale a collaboration with Mario Sorrenti Sara Meltzer Gallery, New York, NY 2002-3 HowTo Video Wall, Sara Meltzer Gallery, New York, NY GROUP EXHIBITIONS 2011 Incongruous. When Art Makes You Laugh Musee de Beaux Art, Lausanne, Switzerland (2011-2012) Free Play KANSAS, New York, NY Museum Night Musee de Beaux Arts, Lausanne, Switzerland 2010 Video Art: Replay, Part 3. Ludicrous. ICA, Philadelphia, PA Hard to Sell, Good to Have. Vienna, Austria The Man I Wish I Was, A.I.R Gallery, Brooklyn, NY 2009 Performa “09, New York, NY Reflections on the Electric Mirror: New Feminist Video, Curated by Lauren Ross, Brooklyn Museum of Art, Brooklyn, NY Alternating Beats, Museum of Art, Rhode Island School of Design, Providence, RI Reconfiguring the Body in American Art, 1820 - 2009, The National Academy Museum, New York, NY 2008 We Interrupt Your Program, Mills College Art Museum, Oakland, CA Back to the Garden: Daily Life to Spiritual Vision, Crossing Art, Flushing, NY 2007 50,000 Beds, A Project by Chris Doyle, The Contemporary Art Museum, Ridgefield; Artspace, New Haven; and Real Art Ways, Hartfod, CT. Body Double, Luckman Gallery, California State University, Los Angeles, CA Je suis une bombe, Von der Heydt-Museum, Wuppertal, Germany T”what?, The Louisvile Photography Biennial, NuLu Gallery, Louisville, KT Art Under Glass, Macy”s, New York NY 2006 Human Game: Winners and Losers , Curated by Francesco Bonami, Maria Luisa Frisa and Stefano Tonchi, Fondazione Pitti Discovery, Florence, Italy (catalogue) Consumption Junction, Curated by James Voorhies, Haines Gallery, San Francisco, CA Smart Ass , Curated by Kelsey Nicholson, Southern Exposure, San Francisco, CA Welcome Home , Sara Meltzer Gallery, New York, NY 2005 i-Dentity , Fashion and Testile Museum, London, UK; Paris France; Tokyo, Japan; New York, NY; Sao Paulo, Brazil; Hong Kong, China; Beijing, China Torino Triennale, Curated by Francesco Bonami and Carolyn Christov-Bakargiev, Torino, Italy Artkarlsruhe, video program Curated by Anita Beckers, Karlsruhe, Germany e-flux video rental , Kunste-Werke, Berlin, Germany Greater New York 2005 , PS1, Long Island City, New York Characters, Scene 2 , Curated by Helianthe Bourdeaux-Maurin, Silvermine Guild Arts Center, New Canaan, CT Characters, Scene 1 , Curated by Helianthe Bourdeaux-Maurin, Shore Institute of Contemporary Arts, Long Branch, NJ Between You and Me , Curated by Anthony Huberman, Art House, Austin, TX 2004 e-flux video rental , e-flux, New York, New York Aldrich at the Movies , Aldrich Contemporary Art Museum, Ridgefield, CT Between You and Me , Curated by Anthoney York Huberman, Sculpture Center, Long Island City, NY Multiplex , Smack Mellon Studios, Brooklyn, NY 2003 One-on-One Pierogi, Brooklyn, NY Rendered, Sara Meltzer Gallery, New York, NY 2002-4 Videodrome II New Museum of Contemporary Art, New York, NY; Santa Barbara Contemporary Arts Forum Santa Barbara, CA; Weatherspoon Art Gallery Greenborough, NC; Bates College Museum of Art; Lewiston, ME 2002 Time-Share Sara Meltzer Gallery SELECTED SCREENINGS 2008 If Looks Could Kill, Fashion in Film Festival, Tate Britain, London, UK 2007 Forum Expanded, Berlin Film Festival, Berlin Germany Ocularis at 10, Museum of Modern Art, New York, NY Sweet Sixteen, Curated by Marie Losier, Rotterdam Film Festival, Rotterdam, Netherlands We Are Making Art Too: Renactments, BFI National Film Theatre, London, United Kingdom 2006 Olympics & other short works, Anthology Film Archives, New York, NY Olympics, 50th London Film Festival, London, United Kingdom Olympics, New York Video Festival, Lincoln Center, New York, NY Olympics, 59 Festival Internazionale del Film, Locarno, Switzerland Performance Anxiety, Curated by Maria-Christina Villasenor, The Artists Cinema, Freize Art Fair, London, United Kingdom Sagamore Video Program, Curated by Kimberly Marrero and Louky Keijsers, Sagamore Hotel, Miami Beach, FL 2005 Salem Art Works, Salem, NY Black and White, Anthology Film Archives, New York, NY 2004 Lyon Film Festival, France Lake Placid Film Festival, Lake Placid, NY Before Z Rhode Island Film Festival, Rhode Island Elevator Series New York Video Fest, New York, NY Before Z Anthology Film Archives, New York, NY Mass Art, Boston, MA 2003 Massachusetts Institute of Technology, Cambridge, MA Anchorage Film Festival, AK Anthology Film Archives, New York, NY Andrew Kreps Gallery, New York, NY The New York Video Festival Curated by Graham Leggat Film Society of Lincoln Center, New York, NY Dialogue Curated by Louky Keijers Thomas Erben Gallery, New York, NY New York City Urban Experience New York, NY Ocularis Galapagos, Brooklyn, NY 2002 Looking is Better Than Feeling You Curated by Astria Suparak LadyFest Bay Area Film and Video San Francisco, CA: Washington DC, Texas New York City Urban Experience New York, NY Combustive Arts, Brooklyn, NY Ocularis Galapagos, Brooklyn, NY Scope Art Fair Gershwin Hotel, New York, NY Super Lounge Gale Gates et. Al., Brooklyn, NY Axis Company, New York, NY Commercials Anthology of Film Archives NY, NY Creative Review Whiteley”s, London, UK 2001 Pratt Institute, Brooklyn, NY Gale Gates et. Al., Brooklyn, NY Dumbo Film Festival, Brooklyn, NY Annina Nosei Gallery, New York, NY Anthology Film Archives, New York, NY Williamsburg Film Festival, Brooklyn, NY Occult of Personality Ocularis at Galapagos, Brooklyn, NY Underground Film Festival, New York, NY 2000 Grand Street, Brooklyn, NY The Pros Part 2 Anthology Film Archives, New York, NY Dumbo Arts Festival New New York Texas Fine Arts Association at the Jones Center for Contemporary Art, Austin, Texas Dinner and a Video The Performing Garage, New York, NY Gale Gates et. Al, Brooklyn, NY Uncut Institute of Contemporary Arts, London, UK 1999 Void, New York, NY Zurich Art Fair, presented by Serge Ziegler Gallery , Switzerland Museum of Contemporary Art, Geffen Contemporary Los Angeles, CA Simon Says Downtown Arts Festival, New York, NY Anthology Film Archives, New York, NY Cinema Classics, New York, NY BIBLIOGRAPHY 2007 Baker, R.C. "Best in Show." The Village Voice, 15 February. Cochrane, Lauren. "Give more, expect less." I-D, March 2007. Bartley, Christopher. "Shannon Plumb". V-Magazine.com, 13 February. Myers, Holly. " “ Body Double”: Through a lens starkly". LA Times, 12 September. Nathan, Lillien. "Anna Sui Opens Macy”s Art Exhibiit". New York Magazine, 11 July. 2006 Bonami, Francesco, Maria Luisa Frisa and Stefano Tonchi. Human Game: Winners and Losers . Charta-Fondazione Pitti Discovery. Essoe, Jordan. "“Smart Ass” at Southern Exposure." Artweek , June. Nataraj, Nirmala. "What a Concept." SF Weekly , 8 March. 2005 Zita, Carmen. "Artist Shannon Plumb turns the camera on herself for inspiration," Trace , no. 55. Zita, Carmen. "Art," Exit , Spring/Summer. 2004 Smith, Roberta. "Shannon Plumb", The New York Times, 8 October. Leggat, Graham. "Plumbshow," Filmmaker , Summer: 10. Goodyear, Sarah. "P is for Perfect," Time Out New York Kids , Summer. "Behind the Scenes," Vogue Nippon , May. Kervin, Jessica. "Double Time," Women”s Wear Daily , 8 January. 2003 Halter, Ed. "The Year in Experimental Film and Video," Village Voice , 23 December. Scott, A.O. "Video Artists Escape Hollywood Sensibility," The New York Times , 23 July. Halter, Ed. "I”ll be Your Mirror," The Village Voice , 23 July. Johnston, Andrew. "They”ve Got Game," Time Out New York, 17 July. Plumb, Shannon. "A Shadow Fitting," i-D , May: 84-5. 2002 Plumb, Shannon. "Sound Shannon Plumb," Creative Review , April. 2001 Boardman, Mickey. "Silent Screamer," Paper , October, page 46. Hooper, Mark. "Private Screening, i-D , June. Magania, Alessandro, "Short and Sweet, V Magazine , Spring. Ewing, John. "New New York," New Art Examiner , February. SHANNON PLUMB: Film Sketches October 24th - 28th, 2012 Opening October 24th 6 - 9pm Stephan Stoyanov Gallery is pleased to announce Film Sketches, a video... http://www.stephanstoyanov.com/Trine-Lise-Nedreaas http://www.stephanstoyanov.com/following/stephanstoyanov.com/Trine-Lise-Nedreaas Tue, 06 Nov 2012 10:56:30 +0000 Stephan Stoyanov Gallery 4031896 <img src="http://payload86.cargocollective.com/1/8/276771/4031896/3220-Incident_Nedreaas_for_press-original_905.jpeg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4031896/3220-Incident_Nedreaas_for_press-original_o.jpeg" data-mid="21814947" caption="TRINE LISE NEDREAAS&lt;br /&gt; &lt;i&gt;Incident&lt;/i&gt;, 2011&lt;br /&gt; Photograph&lt;br /&gt; 120cm x 120 cm" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4031896/3210-277_Aura-Ma_3_EDIT-copy-original_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4031896/3210-277_Aura-Ma_3_EDIT-copy-original_o.png" data-mid="21814913" caption="TRINE LISE NEDREAAS&lt;br /&gt; &lt;i&gt;Neither Here Nor There&lt;/i&gt;, 2011&lt;br /&gt; Photograph mounted on aluminum&lt;br /&gt; 80cm x 60 cm" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4031896/3205-279_Aura-A_3-copy-2-original_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4031896/3205-279_Aura-A_3-copy-2-original_o.png" data-mid="21814923" caption="TRINE LISE NEDREAAS&lt;br /&gt; &lt;i&gt;Neither Here Nor There&lt;/i&gt;, 2011&lt;br /&gt; Photograph mounted on aluminum&lt;br /&gt; 80cm x 60 cm" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4031896/3165-FAN_IMG_0369-original_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4031896/3165-FAN_IMG_0369-original_o.png" data-mid="21814937" caption="TRINE LISE NEDREAAS&lt;br /&gt; &lt;i&gt;Fan&lt;/i&gt;, 2011&lt;br /&gt; Mixed techniques&lt;br /&gt; Dimensions variable" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/8/276771/4031896/3175-Fan_detail_06_IMG_0356-original_905.png" width="800" height="500" width_o="800" height_o="500" src_o="http://payload86.cargocollective.com/1/8/276771/4031896/3175-Fan_detail_06_IMG_0356-original_o.png" data-mid="21814931" caption="TRINE LISE NEDREAAS&lt;br /&gt; &lt;i&gt;Fan&lt;/i&gt;, 2011&lt;br /&gt; Mixed techniques&lt;br /&gt; Dimensions variable" border="0" align="left"/> http://www.stephanstoyanov.com/Caoimhghin-O-Fraithile http://www.stephanstoyanov.com/following/stephanstoyanov.com/Caoimhghin-O-Fraithile Fri, 26 Oct 2012 14:14:13 +0000 Stephan Stoyanov Gallery 4329275 <img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.b_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.b_o.jpg" data-mid="22877257" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.f_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.f_o.jpg" data-mid="22877260" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012_o.jpg" data-mid="22877271" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.i_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.i_o.jpg" data-mid="22877274" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.h_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.h_o.jpg" data-mid="22877275" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.g_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.g_o.jpg" data-mid="22877277" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.e_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.e_o.jpg" data-mid="22877279" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.d_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.d_o.jpg" data-mid="22877282" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.c_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.c_o.jpg" data-mid="22877284" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.a_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF 9-2012.a_o.jpg" data-mid="22877286" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; &lt;I&gt;Awake, A Father's Wake&lt;/I&gt;, 2012&lt;br /&gt; Niigata Soil and Water Art Triennial (Japan) " border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF-Act 2-2010_905.jpg" width="700" height="500" width_o="700" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF-Act 2-2010_o.jpg" data-mid="22877264" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; 2012" border="0" align="left"/><img src="http://payload101.cargocollective.com/1/8/276771/4329275/COF. Painting.2012_905.jpg" width="800" height="500" width_o="800" height_o="500" src_o="http://payload101.cargocollective.com/1/8/276771/4329275/COF. Painting.2012_o.jpg" data-mid="22877268" caption="CAOIMHGHIN O. FRAITHILE&lt;br /&gt; 2012" border="0" align="left"/> caption=CAOIMHGHIN O. FRAITHILE Awake, A Father's Wake, 2012 Niigata Soil and Water Art Triennial (Japan) caption=CAOIMHGHIN O. FRAITHILE Awake, A Father's Wake, 2012 Niigata Soil and Water Art Triennial (Japan)